(Remote control) performance in Iraq

In 24 july the Sirian group for cinema &theatre performing play by Abbas Abdulghanee that write and direct this performane that depend on technique body to show this Idea explaning Iraqi Isuue and the occupation in this country damaged every thing, director make the stag in shat altahrer one of the most Iraqi statue im Baghdad to be witness to all changing in Iraq ,actors performing this play bu there body language and music to say no to all ocupation movement
thanks
the director
Abbas abdulghanee
abbas_aliraqi2002@yahoo.com
009647701889384

participating in theatrical festival

The skull pantomime from Iraq tell us about Iraq history from Magol occupation to Baghdad till Usa Occupation now by body technique and cherographic technique.
we want to participate by this performance in any theatrical festival in the world to say no to all occupation want to make this world dark.
thanks alot
the Skull director
Abbas A abdulghanee

Skull

We can to show our play in any country we have invitation to make people to see what Iraqi s artist suffer
thanks

Muhannad Hawaz dance feat in a time of occupation

The Art of Dance Arts High linked at the beginning cults as a form of slavery which are bending the body humanitarian Creaturely believer to become so pieces fell under the plastic arts to the art of dance to a sculpture artist pain more than the color of the color of the arts.
Muhannad Hawaz beginning with the Artists Union Iraqis in Mosul, a dancer in the Task Iraqi folklore and after training began the task of folklore in Mosul and moved to the modern dance meant theatrical modern dance and made several plays:-stories of the smell, the first dance session held world soccer fever science of pollution, the panel Baghdad and the design of the play and was passing on Baghdad after the war and on the security situation and on the band planted by extremists between Sunnis and Shiites and dance presentation of this color and faced the challenge of terrorism.
A theatrical dance again entitled Mr. Abd and the Sumerian temple dancer.
Designed for painting dream rights but human freedom under occupation in all its forms arrogant painted a color gray for the future of humans and caused by the colors of doom
Modern dance started by Muhanad Hawaz in Mosul was the first of its kind in the city did not receive this art open to even tried some who belong to the art of color to fight this civilization of art in some way, did not stop at this topic, but Muhannad Hawaz dancer who Twig colors from doom to present his art to the world is dancing to the rhythm of booby-trapped cars filled city of Mosul to move his body paints Dance hope amid persistent huge crowd, which tried to unmasking of this noble art, and while it leads one roles Fuji huge explosion rocked Hall theater, which at the beginning dancing up with the rhythm of the body Hawaz wearied under the occupation and then bite Hall shaken by the big explosion, which rocked, but could not shake the entity of this body, which he committed himself in front of this great challenge Director in the performance in which the sum of his years and years and effort training continuing day and night under the light Moon sometimes and sometimes makes Lamp oil is reflected signal lamp enabled man's body and plastic arts painted a distinctive palette of Iraq symphony of hope and promise bright tomorrow,
And like most artists have been Muhannad Hawaz suffered blackmail and the threat that such category of art and cross honestly terrorism threat him to leave his country and migrate like the rest of the folks who created the Iraq but did not receive away from their parents and loved ones,
There is where we lose this, but come to the town and swore that paints a picture of hope by his art Orient also due to see every day from his home overlooking the inlet side of the bright sun.

Theatre In Iraq

(Skull), in addition to innovative theater Almonodrama


Representative introduced the same formula is a correlation, the more inspiration for Almonodrama theater, which is considered one of the most difficult species in the theater for the special needs of the text is capable of sounding deep personal heroine and extracting deep them while maintaining the comfort required of any theatrical presentation to entice away to the podium.

The most important is that representative is capable of playing the details and implications of the spiritual personality and the transition from one situation to another and this requires craft and high stock lot of memory life, spiritual and cultural management director empowered to create solutions that help Alakharajia mobility between cases of personal dramas absence Representative another instigator of all reactions that will enrich the dialogue, which is in Almonodrama Monoluja persons of a particular case.
Arab Almonodrama stopped when some of the tools that he once engaged to this drama fundamental to the structure of the offer, including «dialogue», the «Abbas Abdel Ghani» Whatever the endeavor in this art when asked across the state of play is new, was controversial for many observers and interested in Festival Almonodrama third in Latakia was: What if we deleted dialogue?
Hafiz «Abdul Ghani» on the existence of one representative on stage but the interactive dialogue between his body, which led movements portrait «Bantomim» in the relationship between elements of drama and theater were other functional unit met and served current procedure of the presentation, Kamoosiqa and decoration, which had a large rectangular plate and mobile , longitudinally divided into two parts: the first from the map of Iraq and the other skull. The addendum was cinematic scenes, Monodramih except death scene of daily free Iraqis, helped to develop visual language connotations of the image of many Iraqi assassin «official» Bnzarath black Western hat and cigarettes, and the final was via the cemetery showed four pieces of dead names spectra representing the Iraqi people in all their sects: «Saladar, Haider, Omar, Hanna» referring to the collective invoice paid by the Iraqis. However, all these symbols and technical tools were not directly offer that experience was particularly influential Chi possibility of the existence of the addendum and renewal in Almonodrama was to be talking stages with the director of Action, a professor at the Faculty of Fine Arts in Mosul, Abdul Ghani Abbas:
Different method, to any degree of synergy and intersects with what we saw Almonodrama? Some were spotted presentation «Bantomim», is not recognized by others Kmonodrama, for the disappearance of the dialogue?
Adopted presentation on the body, and he followed a mime, which speaks of the history of civilizations Iraq Bmusiqa Abasiya, symbolizing the Abbasid era, the Golden Age in Baghdad .. Everything Monodrama saw was real because it relied on the existence of personal one, which was the language of the body and tells the story of expression and concerned with the crisis, has called this type of presentations «Alkiriw drama» a mix between «Alkerowerev», «drama» ..
The abolition of the dialogue turned to a personal visual expressions as they were «screen presentation» a visually II and the result is we have two, do you Tuagueni?
Almonodrama law necessitated the use of screen presentation but is the only representative who was moving while the movie was presented the military occupation of Iraq and the American army and death, and the latest model has been introduced is left to personal interpretation of the freedom of the recipient, was without an identity, either graves has been charged spectra of the Iraqi people to be skull in the end result of what is happening between all communities which constitute Iraq, and here lies the offer letter: Dear Iraqi people Let's reconcile! Having served the plate were two parts of this idea ..
Do you think that there is the possibility of creating Almonodrama addendum in the theater?
I think that what we have had the highest degree of development because the talk in this work, which is inspired Iraqi Special started incapacitated, the television news filled with blood and statistics the number of dead, and used every speech.